article cinematography casino 1995 robert richardson

While he sharpened the hyperkinetic style of 'JFK' in 'Natural Born Killers' (1994), 'Nixon' (1995) and 'U-Turn' (1997), Richardson was in-demand by other top Hollywood directors like Tarantino and Martin Scorsese, both of whom tapped the director of photography for films like 'Bringing Out the Dead' (1999), 'Kill Bill, Vol. But it was his stunning work using a multitude of stock and cameras to create a documentary feel for 'JFK' (1991), which earned the cinematographer his first Academy Award. From there, he worked almost exclusively for Stone, filming 'Wall Street' (1987), 'Born on the Fourth of July' (1989) and 'The Doors' (1991), while occasionally branching out to shoot films like John Sayles' 'Eight Men Out' (1988) and 'City of Hope' (1991).

His television work led Stone to hire him to shoot 'Salvador' (1986) and 'Platoon' (1986), both of which required a cinéma vérité style that only a documentary cinematographer could offer. See ‘ Emancipation’ star Will Smith says he hopes ‘horrific decision’ to slap Chris Rock doesn’t taint response to the historical drama At the historical epic’s center is an escaped slave (Will Smith) who survives Louisiana marshland, a tenacious bounty hunter ( Ben Foster) and.Prior to becoming a regular collaborator with such prominent directors as Oliver Stone and Quentin Tarantino, cinematographer Robert Richardson served his apprenticeship shooting second unit on 'Repo Man' (1984) while filming television documentaries for PBS and the BBC.

The legendary Dp has 10 Academy Award nominations (and three wins) to his name and deserves an 11th for lensing “ Emancipation,” which sits in 12th position in our Oscar odds for Best Cinematography. For his most ambitious project yet, Fuqua collaborated with cinematographer Robert Richardson, whose credits include “ Casino,” “ The Aviator,” “ Django Unchained,” and “ Once Upon a Time in Hollywood.” Richardson’s ingenious, Oscar-winning work on “ The Aviator” is a career highlight for visually recreating the transition from two-to-three-strip Technicolor as the film progresses through the 1930s. Antoine Fuqua’s “ Emancipation” has finally been unveiled to the public, and critics agree it’s a visual achievement.

Article cinematography casino 1995 robert richardson